Hammerwatch ReviewJoe Shaffer
I wish I could invent a snazzy introduction for this review. You know, perhaps begin with a moody description of the game's dank environs, or attempt to liken the experience to a common life occurrence. Unfortunately, that's just not happening. You see, the game in question, the hack-'n-slash title Hammerwatch, is about as simple as can be. There isn't much more to it than wandering around, mashing the attack button, and annihilating anything that looks sinister. In the early outs of the campaign, this amounts to slaying a few maggots here and there, and maybe eliminating a spawning point or two. It isn't long, though, before "a few" becomes "dozens," which gives way to "legions," which evolves into "holy crap, I'm about to take on every maggot that ever existed." Although that sounds daunting, the truth is it's incredibly exhilarating.
Hammerwatch's smooth mechanics and simple play control facilitate the previously detailed experiences. It's exciting to gaze upon an immense fray and realize that you can easily dance around your opponents whilst taking choice cleaves, plucking off arrows, or slinging devastating spells. It's comforting to know that all you have to do is aim and fire, and perhaps hold down another key or trigger in order to strafe. From there, you can weave around your adversaries while mashing the attack button, and watch as the bodies pile up while loot manifests in place of their cold corpses. Snagging such goodies can lead to permanent stat boosts or increases in your cash supply. With a fat enough stack of coins, you could purchase some helpful consumable items, such as restorative or offensive potions, or even further develop your character. Nothing makes your pouch of coins feel more worthwhile than possessing a stronger bow or nimbler feet.
Don't get me wrong; I'm not saying that Hammerwatch's campaign is easy. As it turns out, not every foe can be felled with a single shot, so whittling down a particular contingent could consume a fair chunk of time. Meanwhile, it's your duty to check your six, keep your flanks clear of crowds, and especially try not to aggro an adjacent army while dealing with the one before you. Even in multiplayer mode, it's easy to become overwhelmed and eventually done in by the numerous bumps, scratches, and pulverizing projectiles that nail you.
Combat may be one of the main selling points of Hammerwatch--well, that and its likeness to its inspiration, the ancient arcade classic Gauntlet--but it's not all that the title has to boast. To wit, it also sports some fierce stage designs. The game is divided into four acts, each with three stages composed of convoluted corridors, spacious chambers, and penned off locales. Each trio of levels is interconnected through a series of staircases positioned at various points throughout each map. Ascending one stairway doesn't guarantee that you're done with a level. For instance, you may need to descend another set of stairs later on in order to snag a necessary key or to activate a switch that clears an impediment. As if those details weren't complex enough, stages also sport various hidden nooks and crannies, usually accessible by walking through a false wall or eliminating part of the environment.
If there's any other aspect of Hammerwatch that bolsters the experience, it's the music of composer-duo Two Feathers. Pieces of the soundtrack hearken back to the 8- and 16-bit eras of gaming, smacking at times of retro dungeon crawlers while occasionally hearkening back to the early works of Yasunori Mitsuda. The bottomline, though, is that their music perfectly captures Hammerwatch's fantasy elements. You have tracks like "Metal Chambers," which features a fairly easygoing mood combined with a wonderful dwarven chant. Then there's "Heroes Never Die," which is one of those ire-raising cuts that almost sounds symphonic, which is pretty much essential for a game like Hammerwatch. There's something about it that instills a sense of knightly righteousness in you when you hear it. "At the Gates" bears some obvious traces of old school gaming music, placed along side some sweet guitar riffs that remind me of a few tracks from Castlevania: Symphony of the Night. All in all, it's a fantastic indie score that kills some of the music I've heard in major studio productions.
I can't say that Hammerwatch bears any horrendous flaws. Unfortunately, it is yet another game in a fairly overcrowded category, one which has already established who rules the roost. While Hammerwatch may not be a "perfect 10" in that respect, it is far above boatloads of similar titles, mostly because of how stably the game operates when presented with gigantic masses of enemies. There's never a hiccup, even when the screen is practically covered, and I've yet to encounter a major crash or terrible instance of lag.
If you've read any of my reviews before, you might know that I'm tired of the laundry list of retro-for-retro's-sake games that have seeped into Steam's and Desura's storefronts over the last decade or so. So when I endorse a game like Hammerwatch, what I'm saying is: "This game isn't just a vintage gaming love letter, it's also a damn good game." And it is. Kudos to the developers at Crackshell.
Disclosure: We are provided copies of games from the game companies for some games that we review.